![]() But in the end, we're still going to color in Resolve. We use Blackmagic RAW because it's compatible no matter where we edit (Premiere, FCPX, or Avid). This all fit within a single 4TB Samsung T7 drive that we plugged straight into the Blackmagic Video Assist. Over five days of shooting, we shot more than 30 separate multi-camera interviews, shooting hours and hours of footage. Blackmagic RAW files are a good bit smaller than ProRes files. cube files into your timeline to apply the grade.īut it’s more than that. Pixel Frame Studios has a free plugin dubbed FCPX Loader that allows you to import your own designed LUTs. Once loaded, you can apply the LUT. ![]() ![]() Adding a LUT to your footage is usually the first step in the color grading process, and if you're like me, usually the last, too.įCPX does provide several built-in LUTs in the Inspector under Log Processing-including ARRI LOG C, Blackmagic Design Film, Blackmagic Design 4K, Canon Log, Sony S-Log2 and Sony S-Log3-but, currently, you need to use a third-party plugin if you need to import your own custom LUTs. They change the color of an image by capturing the in-camera log color space or flat profile, and then converting that image to the color space of the designed LUT. So what is a LUT? Jay Friesen went in detail about LUTs in a previous post, but essentially Look Up Tables are mathematical calculations that make up the difference between the source and result. We found a few solutions to show you how you can. If you're using Apple's Final Cut Pro X (v 10.2.3) to edit, you've probably run across its built-in LUT (Look Up Table) and found the inability to add your own LUTs natively.
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